【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱

2018-10-08 18:00 浏览:173 A+ | A-

世界是你们的也是我们的 之B-2017-18(A, B, C) | The world is yours, as well as ours  NO.B-2017-18(A, B, C)

布面油画 | Oil on canvas

220x220cmx3

2017


世界是你们的也是我们的 之B-2017-18-A | The world is yours

世界是你们的也是我们的 之B-2017-18-A | The world is yours, as well as ours  NO.B-2017-18-A

布面油画 | Oil on canvas

220x220cm

2017


世界是你们的也是我们的 之B-2017-18-B | The world is yours

世界是你们的也是我们的 之B-2017-18-B | The world is yours, as well as ours  NO.B-2017-18-B

布面油画 | Oil on canvas

220x220cm

2017


世界是你们的也是我们的 之B-2017-18-C | The world is yours

世界是你们的也是我们的 之B-2017-18-C | The world is yours, as well as ours  NO.B-2017-18-C

布面油画 | Oil on canvas

220x220cm

2017


Display of Jiang Zhi蒋志的作品在《北京新语》中的展陈

Display of Jiang Zhi's Work in New Expression of Beijing at N3 Contemporary Art



【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云



绘画自述之5

 
  
· 时间


不喜欢慢腾腾的画,喜欢做梦般的进展迅速。在梦里面你感觉过了很长时间,比如一整天,醒来之后你却发现只过了几分钟,我有在梦里过了一辈子的经历。我想可能时间也就过了一两个小时吧,甚至更短。我们的时间是感受性的。
 
通常连续的专注地画七八个小时,不知不觉地就过了这么长时间,当然我在其中体验到的时间更长,不是那种线性的时间(没有可衡量的线性,线性就开始破碎为点,每个点都熔为不断纵深的洞),而是密集繁殖、纵深蔓延的时间。
 
这样,就能创造出时间。


世界是你们的也是我们的 之B-2018-09 | The world is yours, as we

世界是你们的也是我们的 之B-2018-09 | The world is yours, as well as ours  NO.B-2018-09

油画 | Oil painting

82.5x97cm

2018  



· 形状


我并不特意地创造形状。
使用已有的图像资源,比如我拍下的照片、网络上的图等等。
摄影和录像也是这种方式——去使用形状。
在形状的问题上,我要快捷的方式,我无法长时间地忠于某个形体。
风吹过树林,没有任何形状能有刹那停留。


世界是你们的也是我们的 之彩虹系列-2018-16 | The world is yours, as

世界是你们的也是我们的 之彩虹系列-2018-16 | The world is yours, as well as ours  Rainbow -2018-01   

油画 | Oil painting

130 x160cm

2018 



· 颜色


这个时期,我的绘画工作,对颜色的依赖很强,每当开始一张画时,我往往是从上一张留下的一些颜料开始,或者眼前任何的色彩关系,这个色彩关系是在一个杯子上、墙面的斑点上、一块茶迹上……任何对象,并不重要,任何色彩关系都可以发生在任何东西上面,就是说,任何东西都可以有任何的色彩关系。
 

不喜欢被任何一种对象与色彩的关系模式局限。我放任色彩。
当然,同时也放任着我自己。
我被变化的色彩引导,同时色彩也由我引导着,我和色彩的关系是舞伴的关系,我们相通,但不会牵强,我们放肆而为,但我们不会踩到对方的脚,或把对方绊倒。这是我从书法中获得的。


世界是你们的也是我们的 之A-2013-07 | The world is yours, as we

世界是你们的也是我们的 之A-2013-07 | The world is yours, as well as ours  NO.A-2013-07 

油画于聚酯纤维布 | Oil on Polyester

60X80cm

2013

 
 
· 世界


世界当然是我们创造的,就连我们认为的所谓客观世界也同样如此。我们被同设了一个同样的创造机器。对付这个机器的办法,是想办法修改被预设的程序。
 
有时我们在梦中会创造一个另外的世界,其实那个所谓客观世界也是一个大梦。本来无所谓大小,你认为它大,是因为人的无力感。
 
我依赖颜色去创造一个世界,更准确地说,我依赖的是颜料。我涂抹、挤压、喷射、稀释、摩擦、摔打、锤击、颠震……慢慢它形成一个世界。
 
它为我形成了一个新的世界。不依赖睡眠而可以形成的可以不同于所谓“客观世界”的世界。
 
对颜料之爱,也就是对命运之爱。


世界是你们的也是我们的 之A-2014-01 | The world is yours, as we

世界是你们的也是我们的 之A-2014-01 | The world is yours, as well as ours  NO.A-2014-01

油画 | Oil painting

210X143cm

2014  



· 画布


我使用能让颜料正反自由来回的平面媒介,不是单向的,不是单面的。没有隔阂。使我获得无拘束感,也使我获得安慰。更少的障碍。
 
它如虚空之中的一张虚设的网,你的意念可以暂停在那。一刹那的相。

 

-

蒋志  
2016/1/27

 



【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云




Readme About Painting



· Time


I don't like to draw andante, I like a kind of dream-like progress rapidly. In the dream, you feel like it passed a very long time, such as a full day. But after you awake , it just a few minutes passed . I had a dream in a lifetime experience. I think it might just take an hour or two , or even less. Our time has receptivity.
 
Generally continuous intently Videos seven to eight hours, unwittingly took so long, of course, in which I experienced a longer time, that time is not linear (no measurable linear, linear began crushing as points, each point for the continuous melting depth of the hole), but intensive breeding, spread deep time.
 
Thus,we can create a time.


世界是你们的也是我们的 之B-2016-08 | The world is yours, as we

世界是你们的也是我们的 之B-2016-08 | The world is yours, as well as ours  NO.B-2016-08    

油画 | Oil painting

80X90cm

2016



· Shape


I do not purposely create shapes.
I use an existing image resource, such as I took pictures on the network map, and so on.
This is also the way that photography and video works - to use shape.
On the question on the shape, the quickest way I want, I can not be loyal to a long form.
" The wind goes through the woods are not in any shape to have a moment to stay."
 

世界是你们的也是我们的 之B-2017-09 | The world is yours,

世界是你们的也是我们的 之B-2017-09 | The world is yours, as well as ours  NO.B-2017-09

油画 | Oil painting

120x180cm

2017



· Color


During this period, my painting works are  strongly dependent on the color. whenever I start a painting, I often use the color from the left pigment from the previous work to start , or the color of just shown in my eyes by anything or anywhere  , this situation might be the color in a cup, or spots on the walls, or a tea …… trace any object, it doesn't really matter what the object is , any color can occur in anything on anywhere . That is whatever it is , it can have color relationships.
 
I don't like to be confined to any kind of relationship between objects and color . I gave color.
Of course, I also let my own sometimes .

I was guided by the color changes, but the color is also guided by me . The relationship between me and color is kind of a partner-relationship . We are connected , but not far-fetched. We are presumptuous, but we won't step on each other's feet or the tripped over each other. This is what I get from the calligraphy.


油画 | Oil painting,【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云世界是你们的也是我们的 之B-2016-10 | The world is yours, as well as ours  NO.B-2016-10

油画 | Oil painting

209x111.5cm

2016



· Color


To me , the world is created by us , we believe that even the so-called objective world is also created by us .I think we were set up with the creation of a similar machine. The solution to deal with this machine is to find ways to modify the default program.
 
Sometimes we will create another world in a dream, in fact, that the so-called objective world is also a big dream. The original size of the world does not matter, why people think it is big because this is the sense of powerlessness of the people . 
 
I rely on color to create the world, more precisely, I depend on the pigment. I daub, extrusion, injection, dilution, friction, throw, hammer, jolt …… slowly it forms the world.
 
It works for me to form a new world.  Not the kind that relies on sleep . It can be formed may be different from the world's so-called "objective world".
 
I love to paint, that is, the love of fate.


世界是你们的也是我们的 之A-2015-05 | The world is yo

世界是你们的也是我们的 之A-2015-05 | The world is yours, as well as ours  NO.A-2015-05

油画 | Oil painting

128x179cm

2015 



· Canvas


I start using a media that can make pigment can be positive and negative freedom back and forth the plane .It is not an one-way, not single. Without feeling no barrier, also, I get comfort. Fewer obstacles.
 
It is such a void zone , your mind can pause at there in a flash phases.



-

Jiang Zhi
1/27/2016



图片均由艺术家本人提供并特此致谢



【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云 



【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云


北京新语

New Expression of Beijing 

2018.8.26-2018.10.14

开幕 Opening丨2018.8.26,4: 00PM

策展人 Curator丨戴卓群 Dai Zhuoqun

艺术家丨蔡东东、陈晓云、董大为、何岸、蒋志、李易纹、刘聪、刘韡、陆垒、吕松、王茂、徐渠、闫冰、叶凌瀚、臧坤坤、曾宏、张慧

Artists丨Cai Dongdong, Chen Xiaoyun, Dong Dawei, He An, Jiang Zhi, Li Yiwen, Liu Cong, Liu Wei, Lu Lei, Lv Song, Wang Mao, Xu Qu, Yan Bing, Ye Linghan, Zang Kunkun,  Zeng Hong, Zhang Hui


三远当代艺术中心(N3 Contemporary Art)最新群展“北京新语”已于8月26日成功开幕。本次展览由策展人戴卓群策划,汇集蔡东东、陈晓云、董大为、何岸、蒋志、李易纹、刘聪、刘韡、陆垒、吕松、王茂、徐渠、闫冰、叶凌瀚、臧坤坤、曾宏、张慧等共十七位全部生活和工作在北京的艺术家共同呈献。

南朝时代的《世说新语》,志人记事笔记的名著,内容收罗三十六门,一千一百多则。所记录的对象,三百年间的人与事,成为一个时期历史的重要资料。北京新语,做为组织一次展览的藉口,受“世说”的启发,试图以近似日常笔记的方式,记录和反馈当下生活与工作在北京的艺术家们最鲜活的状态与面目。这记录注定不可能是全面的,更似一个采样,一些碎片,林林总总,吉光片羽,闪烁着灵光。


展览详情》》





【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云


【北京新语】蒋志 | 关于绘画:对颜料的爱,也就是对命运之爱,新语,蒋志,颜料,油画,canvas,线性,颜色,策展人,戴卓群,陈晓云




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